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January 27 2012
“ He asked me, ‘What do you want to achieve with your life?’ I thought about it for a second and told him, ‘I want to be a successful venture capitalist without being a jerk.’ He was at a loss. Apparently my answer was supposed to be in dollars. ”— David Hornik (via inky)
January 26 2012
Tools of the Trade by jon_mutch
January 25 2012
Wash your idols by Trojan Sounds
— Truly horrifying.
January 24 2012
reverse by sparth
January 23 2012
January 22 2012
This spoof is immensely well-done, so it is. Slightly NSFW — contains tits, guns, parody, cutting satire, some bad language and adult themes.
Ah British cinema. You faaaackin nonce.
January 19 2012
Have you ever read the text on the Instapaper icon?
It’s from a Merlin Mann post, and it’s awesome.
January 14 2012
INTERMISSION (by PeterSerafinowicz)
New vid from Serafinowicz and Popper!
They made this for the 10 year anniversary of Look Around You at BFI. I deeply miss that show.
January 08 2012
∃ by SARAΗ LEE
January 03 2012
Hemingway, you silly old drunk.
January 02 2012
by Koichi Sato
January 01 2012
Very taken by Koichi Sato
December 31 2011
by thurstonroscoe:
The Revenge of Mr. and Mrs. Orange
This image is available as a print.
December 30 2011
(via butdoesitfloat)
December 29 2011
December 28 2011
Photo by Teun Voeten
I’ve not taken very many photos this year. Some of this is down to the crazy startup lifestyle — our team has grown from 5 to >20 and it’s taken some effort to keep them all fed with design work that I’m happy with.
But a much larger contributing factor of my photographer’s block is the disaffection that has grown in my soul.
There are too many photographers. Every subject is covered. Every bit of graffiti in every part of London dutifully covered by iPhones and Samsungs and 5DmkIIs and it’s all so very boring.
I thought about setting up a camera when we lived on Brick Lane to take photos of all the the kids snapping or capturing or photographing or creating images for their walls and portfolios and tumblrs and instagrams. I thought it’d make a nice montage. Then I realised I’d stolen the idea from that guy in New York, so threw it away.
The aesthetics of photography have been decimated by the one-touch filters and lomo-fying of every photo everywhere. Interesting subjects carry with them a touch of exploitation which I don’t have the energy to come to terms with.
So — sell the equipment and get on with my life? Or try to dig my way out of this hole?
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